I had quite a stressful Ramadan so far with all the workload at the office (..still lots of work to be done!). Almost everyday I had to break fast with sweets or candy or just water inside my car while struggling to drive myself home from the stampede of cars on KL roads. My new CEO is driving everyone crazy with his 'strict' new office policy and unnecessary tantrums. I got a new project that needed to be completed before Hari Raya. Basically no time to write anything here.
So I figured, this weekend, I had a couple days off, I rather be at home, watch a good movie, and write a review or something. You know, just to relax, to chill. But... after watching
Hard Candy, I'm not sure if I was more relaxed or more tense. Coz' this movie doesn't let you go off that easily after the end credits roll. No siree. Don't be fool by the Little Red Riding Hood poster. This candy is hard to digest.. but it's oh so sweet.
Hard Candy is a 2006 film about Hayley Stark (
Ellen Page), a 14-year-old girl who meets Jeff (
Patrick Wilson), a 32-year-old photographer who might be an
ephebophile (..a slight different from pedophile). The two first get to know each other on the Internet before meeting in person at a local coffee shop, which results in a trip to Jeff's home. However, Jeff soon learns that Hayley isn't as innocent as she appears. -
wikipedia.orgOK, first thing first. This movie is virtually a two-act play taking place almost entirely in one location. Most of the movie is talking, as the two characters attempt to peel away each other's disguises and get to the underlying truth. So if you're not a fan of slow pace, dialogue-driven film, you might wanna' give this one a miss.
So what so special about this movie then? Well, it's those dialogue itself. So much weight given to everything the two main characters say, we literally hang on to every word. It was almost like watching a stage-play with two characters that neither good nor bad. In fact, as the movie progress, you don't know which character you're rooting for. After all, whom does one root for, the charming ephebophile or the crazed vigilante teenager? At a certain point, you don't even know who is stalking whom. It's a movie with no good guys, which makes it so fascinating. The film's ability to play with viewers' emotions gives it a strange power. As stomach-churning a character as Jeff is, do we really want to see him suffer like this? It's an odd film in which a viewer almost ends up sympathizing with an accused child molester.
The great (or maybe the bad) thing about the movie is that some scenes tend to play with your mind. There's some torture scenes in the movie. Even a castration scene (.
.yess, guys!). But lumping
Hard Candy in with the recent spate of gruesome torture films would be a crime, because it's a different caliber of film, relying more on dialogue and pacing to create tension and drama rather than violence and gore. That's not to say that there isn't any. The gore is mostly implied rather than shown. Despite the dialogue-heavy nature of the film, it's when you're already on edge and unsure of what might happen next when it really starts to screw with your mind by intensifying the pace with more action. In other word, the film just mind-fuck you! (
..excuse my French).
In the end, a movie is only as good as its performances, and let me tell you something, this
Ellen Page is going to be a huge star. She's scary good, and this film gives her a meaty role that she really sinks her teeth into. She lets it all hang out. Ellen Page's onscreen charisma and cherubic face is equal to that of much older actresses like Glenn Close or Meryl Streep, and she shows incredible muscle by grabbing the viewer's attention and only letting it go when she decides she's done with you. It's almost impossible to not be riveted by her every word and action, showing what an amazing discovery she is. You'll probably be seeing a lot more of her in the next few years. If Ellen Page didn't get nominated for something this year, I am going to be really pissed.
Patrick Wilson is solid, but not in Ellen's league. She dominates their scenes, which upsets the balance of the cat-and-mouse game a little. We are always of the opinion that Hayley has the upper hand, even when she isn't supposed to.
Hard Candy is a film that makes us question our values. It's rare that a movie that's essentially two people in a room talking for an hour has the kind of impact that this movie has.
Brian Nelson's screenplay could just easily have been done as a stage play, but it's the claustrophobic, nearly colorless, way that music video director
David Slade shoots it that makes it so effective. Using mostly extreme close-ups and a gray washed-out look, he has made a very distinctive looking film. It's almost a shame that there are a lot of moments that will be very hard to watch… but in a good way.
An effective thriller, disturbing not only for its frank look at the subject of online predators, but also because of the riveting onscreen relationship between its two stars that keeps you glued to the screen from start to finish. It will have you questioning whatever you thought you knew about meeting strangers online. It's like Stephen King's
Misery for the younger, hipper crowd. Or maybe a reverse take on Takeshi Miike's
Audition, if you will. A psychological thriller of the most disturbing kind. It is messed-up in the best way possible. Watch it and get uneasy.
P/S: Guys, when THAT scene comes up, be sure to cross your leg. You will feel it.. trust me.
